Reproducing the aesthetics of the Yongzheng Dynasty's “Ink and Color Supreme”. The white glaze is used as the paper, and the outline of the flowers is sketched in ink, and then filled with gold powder, the ink color is like the night, and the gold dots are like stars. The white space in the center of the bottle is inscribed with the alum-red seal of “Master of Ten Thousand Flowers”, interpreting the oriental philosophy of “floating fragrance” on the desk of the scholar's room.
